St. Valentine to Vinegar Valentines and on to Sweethearts in Love

Hearts are top of mind when we think of symbols for Valentine's Day. 
Here is a hooked rug from a well known online shop, Honey Bee Hive. 
This pattern for this rug is available on their site. 

The shape has been around at least 5,000 years. (Really!) Here is a heart shaped pendant handmade in gold. It is in the collection of the National Museum, New Delhi. It is dated to 3000 BCE. I'm showing the front and the back of the piece, although I don't know which is which. 

Although we don't necessarily think of Valentine's Day as a saint's day, but is is and it has been around for a long time. The life of the actual person, Saint Valentine, ended in about 270 CE.

For him, or possibly two different fellows named Valentine, it didn’t end well. He (or they) were martyred as Christians.

A historic image of a priest in Orthodox garb, healing a person with epilepsy.

From the collection of the Wellcome Library, London. 

St. Valentine is depicted here healing a sufferer of epilepsy. Notice the heart in the upper left-hand corner. This is more representative of a human heart (than the shape of a Valentine's heart) and possibly suggests compassion for the ill as coming from our heart.

As we've seen in the examples above as well as this one, it's an easy transition to imagine going from this shape and symbol, to our more familiar, decorative shape of a heart that commemorates Valentine's Day today. 

Valentine's day has its roots in at least three cultural traditions: Roman, Pagan, and Christian.

The early Christian church often strategically incorporated pagan holidays and customs into the Christian calendar to make the new religion seem more welcoming and familiar to those practicing paganism.

For example, the Christian celebration of St. Valentine’s Day, celebrating love, family, and healing, was intentionally situated on approximately the day of the spring equinox. The spring equinox was a historic pagan commemoration of new beginnings and fertility. So combining these two celebrations was a natural weaving together of the two cultures.

Next Up, Geoffrey Chaucer

The 14th Century poet and storyteller, Geoffrey Chaucer was the first to associate St. Valentine’s Day with a romantic love interest. In his 1375 poem “Parliament of Foules,” he writes:

For this was sent on Seynt Valentyne’s day
Whan every foul cometh ther to choose his mate.’” 

 A page of illuminated manuscript depicting a man on a horse.

Image from Canterbury Tales. From "The Hub News, Notes, Talk," February 17, 2022. By Walker Caplan. 

Pinnacle of Valentine Interest in the Victorian Era

I think the peak interest in sending Valentine's was in the Victorian era. Couples were prevented from expressing outward displays of affection, yet could pen letters, poems, sonnets, on Valentine's to privately convey their feelings.

And even unwelcome feelings could be expressed privately to the embarrassment or shame of the recipient. I was surprised to learn of Vinegar Valentines, which were like a rude social media posts.

To My Valentine

Tis a lemon that I hand you and bid you now ‘skidoo,’

Because I love another—there is no chance for you,”

a cartoon of a 19th Century woman handing a man a large lemon to send him on his way. 

Jan. 23, 2024, Crystal Ponti, "Vinegar Valentine's Could be Mean and Hostile,"  From the Missouri Historical Society.  

Most were sent anonymously and sometimes sent “COD”—cash on delivery. That means that the recipient had to pay the postage for the vinegar Valentine before they could read it.

Often too, they were anti-suffragette, or hostile to women expressing independence.

 A young girl standing on a soapbox and ayoung boy in front of her with a quiver and arrows. the boy is crying because the girl seems unattainable. She is independent and using her voice to ask for the vote for women. That makes the boy feel scared.

Ken Florey Suffrage Collection GADO/Getty Images. 

Valentine's Day card depicting an outspoken young girl on a soapbox, campaigning. A young lad representing cupid with his quiver of arrows is crying because the girl is unattainable due to her independence. It is reinforced with the caption, "Not a Chance." 

a spinster-looking woman with eyeglasses and an odd hat, and a ballot in her hand.

To the Modern Woman:

You've got the vote and think it's your mission,

To go to the polls like a bum politician.

And while you are voting, your husband must roam,

For something to eat which he can't find at home.

He's getting dyspepsia and can't work for pain,

Your children neglected, you for you in vain.

While you make speeches from a broken soapbox,

Your family is wearing soiled clothes and torn socks. 

A recent NPR story quoted food and candy historian Susan Benjamin, “According to the Boston Globe — and this is in 1886 — one factory alone pumped out 15 million comic [vinegar] valentines and a measly 5 million sentimental ones,” 

These Vinegar Valentines peaked In popularity the Victorian era in the US and England. In England, postmasters sometimes refused to deliver the vinegar Valentine's Day cards because they were considered inappropriate and too vulgar. Although some continued until the 1950s

Does the following card sort of straddle the definition between vinegar and romantic? The design initially strikes us as fairly typical with a beautiful young woman protecting behind her skirts, cupid with his bow and arrow. Yet, the headline, "On the Warpath, Prang's Valentines" adds an eyebrow-raising tone to the message. Is it referring to Cupid being on the warpath to pierce your heart with an arrow? If so, doesn't that add an air of brutality to the whole cupid message? 

a Valentine with a lovely young woman with a long pink dress swirling around her shoulders and feet

Issued approximately 1899. In the Miriam and Ira D. Wallach Division of Art, Prints, and Photographs: Print Collection,The New York Public Library, digital collection. "Prang's Valentine's: On the Warpath."

More Traditional Themes of Cupid, Hearts, Flowers, and Love

Speaking of hearts, this one seems to be understating the benefits of the romantic pursuer by referring to himself as "a pretty good heart." 

 A card with two illustrations, one includes thick group of green vines at the topof the card, and at the bottom of the card is a more sparse vine with leaves. ,

In the Miriam and Ira D. Wallach Division of Art, Prints, and Photographs: Print Collection, The New York Public Library, digital collection, a postcard with a St. Valentine's Greeting. 

I like the idea of cupids as artists painting a plump cherry red Valentine. I don't know why it seems to be on fire.

By Chordboard - Self, from material in my possession., Public Domain, https://commons.wikimedia.org/w/index.php?curid=4310843. 

 

Here is the front of a sweet, loving Valentine's Day Card: 

An illustration of two white doves on each side of the top of the card. the doves have a gold chain in their beaks and they are flying with a heart-shaped bouquet of blue hydrangea blooms.

Here is the back of the card. It was posted over a hundred years ago to a granddaughter in Brooklyn, NY. The grandmother has signed it: "Grandmama [with a second name, that I can't decipher.]"

Back of postcard with the address to a woman in Brooklyn, NY. It is from "Grandmama."

In the Miriam and Ira D. Wallach Division of Art, Prints, and Photographs: Print Collection, The New York Public Library, digital collection.

Many fancy cards of the early late 19th Century and early 20th Century often had glued on ribbons, hearts, bows, and other little bits of ephemera. They may be die-cut or hand-cut and have ornate decorations with almost a rococo-flair of bountiful twisting flower elements, and scrolls.

Cupid with a basket of flowers surrounded by glued-on hearts, floral embellishments, a velvet ribbon, and a velvet bow.

 An English Victorian era Valentine from the Museum of London. Unknown artist. 

A cut-paper Valentine with a tangerine-colored backing sheet.

I get a kick out of the understated, modest message on this intricately die-cut Valentine, "Don't Fear to Trust Me." From the collection of the Met, NYC. The green-colored elements are pasted in the center oval. There is a pressed paper cameo of a woman in the center of the card. 

Close-up of the cut-paper Valentine's card showing the center wreath of green leaves and colored flowers, and the cameo of the woman's face.

Close-up of the center of the card from The Met. It is entitled "Valentine" and described as "Cameo embossed paper, die cut with hand-painted scraps."  Created by unknown artist, 1850. 

What a lovely gift to a beloved.

Another cut-paper card is shown below. Not exclusively a Valentine's Card but a magnum opus of the paper-cutting technique. (See my two blog posts on the art of paper cutting.)

Intricately cut repetition of the word "abracadabra" spelled out over and over in a triangle shape with cut flowers in a "U" shape around the triangle.

Carl H. Pforzheimer Collection of Shelley and Hiw Circle, The New York Public Library, digital collection "Abacadabra Pyramid," 1823.

I love this card below. There are a number of ways that this card is unusual. First it is not the traditional colors of the holiday. It features warm, golden colors. And a common dandelion is a far cry from red roses.

A boy facing left surrounded by images of dandelions. A large fluffy white one is in front of his fave.

From the collection of the Library of Congress, Photo, Print, Drawing: To My Valentine. L. Prang and Company, Boston, 1992.

The card includes the sentiment:

To My Valentine,

By Dandelion Post I send this Valentine to my friend,

May every flying seedlet be a message of love to Thee.

Another favorite of mine is this charming illustration of a girl painting her bulldog with Valentine hearts while a second and third dog look on.

Illustration of a young girl painting hearts on her bulldog with a paintbrush

From the digital collection of the NYPL, NYC. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. "To my Valentine." The New York Public Library Digital Collections. 

Magazines often featured Valentine's Day covers.

This is Saturday Evening Post cover from February 11, 1956, by Richard Sargent. It depicts a possibly teenage or pre-teen boy trying to be inconspicuous as he selects a Valentine.

A greeting card rack, probably in a convenience sore or an old-time pharmacy, with a young-ish boy partially hidden by the card rack.

From the collection of covers from The Saturday Evening Post. 

So many ways to express your feelings on Valentine's Day! Hope yours is full of love, smiles, hugs, and maybe some chocolate!

 

 

 

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